We need money not art
anti-technology
  • Dr Lakra at Kurimanzutto in Mexico City /墨西哥Kurimanzutto 艺术家Dr Lakra的展览
    我曾经在一本很好的墨西哥杂志上看到了一幅作品,是画着纹身的美女和涂鸦过的墙壁,从那开始,我就喜欢上了Dr Lakra。这名纹身艺术家住在墨西哥。几个星期前,我正好也在墨西哥,那里在kurimanzutto展览馆有一个Dr Lakra的专场秀。我开心极了。现在,回想过来,如果当时我没有将我心爱的照相机落在出租车上,我会跟更开心的,因为上面有我在展览上拍的所有的照片。 Dr ...
  • Pieter Hugo’s Nollywood Pieter Hugo的瑙莱坞
    几周前,我在exibart上读到,南非摄影师Pieter Hugo将在罗马extraspazio举行个展。 Gabazzini Zuo. Enugu, Nigeria, 2008 因为在我的电脑屏幕上看他的作品效果不够好,我决定乘坐意大利国家铁路公司Trenitalia的新型“超快”列车去趟阳光温暖的罗马。真不是个好主意!“超快列车”这个词可不能轻易相信,70%的这种列车都会晚点,有时会晚很多,就像我有幸体验的那样。我6号到了那里,不...
  • Artissima – The photographs /图说Artissima
    我曾在上一篇帖子中(Artissima, Turin’s contemporary art fair)介绍过Artissima,它是都灵的当代艺术博览会。这次我就不详细介绍了大家欣赏一下图片吧,个别有关展示和装置的图片我会讲讲。 Matej Andraž Vogrinčič的装置艺术作品“未命名(56只船)”是56只底朝天船被放在遭到炸弹袭击后留下的哥特时代的利物浦圣路加教堂里。 Skuc画廊里Matej Andraž Vogrinčič的 “未命名(56只船)...
  • Exhibition tip: Charlotte Dumas – Paradis(展览看点—Charlotte Dumas 的Paradis)
    一个阳光明媚的清晨,我当时在阿姆斯特丹,沿着摄影之城Foam散步。你可以想象我那时在做什么:我看到了一个照片博物馆,我非常想进入看看 。有很多展览可以看,给我留下印象最深的是Paradis,这是荷兰摄影师Charlotte Dumas作品中的第一个主要的回顾。Dumas为动物设计了很多令人称赞的动态画像。 Untitled (King) 2009. © Charlotte Dumas 她的第一个动物画像系列是在Rijksakademie完成的...
  • Exhibition tip: Muzi Quawson in Amsterdam展览看点:阿姆斯特丹的Muzi Quawson
    如果你碰巧接下来的几周在阿姆斯特丹,你可能会想去看看在Annet Gelink画廊的Muzi Quawson的作品展。 Muzi Quawson, The Stone House, 2009 Muzi Quawson, Set in Time, 2009 置身于蒙大拿州西北部格拉斯哥(Glasgow)灌木最繁盛的边界中,Quawson在拍她的新电影“The Old Home”,这部电影探讨了游离在社会外的人群的特性。她的摄像机无声跟拍一位名叫Ivar “Duke” T Pederson的老牛仔, 我的祖母...

RSS簡單說

RSS簡單說 互聯網上出現了新問題,据Technorati統計,現在互聯網上有超過五億個博客,而且如你所見,這個數字仍然在迅速增長,這勢不可擋。有一種簡單而有效的方法,可以讓你緊隨網絡上正在發生的事情。 View RSS簡單說...
we make money not art
  • BIP2010 - The Acrobatic Squad

    If you live in Belgium or if you happen to be in The Netherlands, France or Germany anywhere near Liege/Luik/Lüttich, then you might want to drop by BIP2010, the 7th International Biennial of Photography and Visual Arts because it is one of the most exciting events i've seen in a while (and yes, i'm aware i write that a lot but i always mean it you see.) This year's theme is (Out of) Control. It oscillates between the cheerful and the somber, between the mundane and the extraordinary. I'll get back to you with a proper report but i couldn't help singling out a quirky series of photos i discovered at the biennial.

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    Thomas Mailaender, Acrobatic Squad, 2004

    As The Acrobatic Squad demonstrates, Thomas Lailaender has a soft spot for the absurd....

  • Sensity V & A, an interview with Stanza

    A few weeks ago, and against my better judgment, i stopped by Decode: Digital Design Sensations at the Victoria and Albert in London. The exhibition showcases recent developments in digital and interactive design through three themes: Code, Interactivity and Network.

    I have nothing particularly flattering to write about the exhibition. I wish i had done like Furtherfield and visited the Digital Pioneers exhibition instead. The exhibition takes place at the V&A as well but doesn't benefit from as much advertising as Decode.

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    In theory, Decode looks like a very glam affair. In reality, it has a bit of a fancy thrift shop feeling with all the works crammed in a confined and confused space. I was left in shock when i saw how little space each work had...

  • Book Review - Data Flow 2: Visualizing Information in Graphic Design

    0adataflow453.jpgData Flow: v. 2: Visualizing Information in Graphic Design, edited by Robert Klanten, Nicolas Bourquin, Sven Ehmann and Thibaud Tissot (Available on Amazon USA and UK.)

    Publisher Die Gestalten Verlag says: Data Flow 2 expands the definition of contemporary information graphics. The book features new possibilities for diagrams, maps, and charts. It investigates the visual and intuitive presentation of processes, data, and information. Concrete examples of research and art projects as well as commercial work illuminate how techniques such as simplification, abstraction, metaphor, and dramatization function.

    The book also includes interviews with experts such as The New York Times's Steve Duenes, Infosthetics's Andrew Vande Moere, Visualcomplexity's Manuel Lima, ART+COM's Joachim Sauter, and passionate cartographer Menno-Jan Kraak as well as text features by Johannes Schardt about the challenges in creating effective information graphics and...

  • Japan Media Arts festival - The Art Division

    Very lucky me happened to be in Tokyo during the Japan Media Arts festival. Cheerful, a bit chaotic and very laid-back, the festival had much to tickle a European amateur of media art.

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    The National Art Center where the exhibition was held

    First of all, the festival doesn't just celebrates media arts, it also highlights creative works of entertainment, animation, and manga which gives the feeling that media art is part of a broader contemporary culture than it is in Europe. On the other hand, i didn't see as many socially-engaged artworks media art works as one can find in similar exhibitions in both Europe and the U.S. of A. I'm all for activism and hacktivism but you know what? i didn't expect to find conscience-wrecking works in the...

  • Exhibition tip - GaMe! at the [DAM] gallery in Berlin

    GaMe!, a group exhibition you can check out until March 24 at the [DAM] gallery in Berlin, presents positions by six international artists on the subject of computer games and electronic toys.

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    Todd Deutsch, a.k.a. KillerJ00, 2005

    The show is rather small but it covers a surprisingly large spectrum of game art practices. More importantly, GaMe! is one of those rare exhibitions about game art which favours the artistic approach over the more accessible attractions of playfulness and interactivity.

    You'll understand immediately my point when i tell you that one of the games on show is all about mania, melancholia, and the creative process. The unassuming 8-bit graphics and very straightforward gameplay of Jason Rohrer's Gravitation offers a striking contrast to the poignant challenge that the player has to face: find...

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